New Four and Twenty: March 2012 • Volume 5 • Issue 3

I realize that I have been negligent in announcing releases of my side project, Four and Twenty, here on this site. “What is Four and Twenty?” you ask. Four and Twenty is an online poetry journal that publishes the shortest of short form poetry. I am its publisher. It’s a project I started five years ago, and it continues to thrive. With that preamble out of the way, I’m happy to announce the release of the March 2012 issue of Four and Twenty. You can download the latest issue (as well as past issues) over at 4and20poetry.com.

This issue of the journal features poetry and artwork by David Alpaugh, Jonathan Batteas, Sasidharan Cheruvattath, Andrew Chmielowiec, Martha Christina ,Robert Demaree, Ivo Drury, Lee Evans, Dan Fitzgerald, Janet Lyn, Sarah McLain, Bobby Mehr, Cheryl Menzies, Ayaz Daryl Nielsen, Jennifer-Leigh Oprihory, Dale Patterson, Fabio Sassi, Michael Dwayne Smith, Lucas Stensland, Andrew J. Stone, and Elisabeth Smith Wood.

A new issue of the journal is released the third Tuesday of each month. The next issue of the journal will be released on Tuesday, April 17.


A little education goes a long way (why you should take my class on Saturday)

On Saturday, I will be teaching a class on self-publishing through Indigo Editing & Publications. (Read the full description here.) There’s still room available for those who would like to attend. I could offer you a long list of reasons why you should take this class, but instead, I’ll tell you a story.

Last night, I spoke on the phone with a woman who is working on her second self-published novel. Her first self-published novel came out last summer. She used a big-name self-publishing company to produce her book, and the process she went through was costly, cumbersome, and impersonal. She spent thousands of dollars on sub par editing and design. Many of the “add-on services” she paid for were worthless. In the end, the royalties she’ll receive from the sale of her book are not much better than the royalties a traditionally published author received. All of this led her to question the model she chose and the thousands of dollars she spent on the process. That, in turn, led her to me.

After just a few minutes listening to me explain the various ways self-publishing can happen,  she perked up. “Had I known all this,” she said, “I would have done things differently. This would have saved me a lot of frustration.” Like many authors, she thought there was just one option. There isn’t. And if you’re seriously considering self-publishing, you need to be educated before you start the process.

The reason I’m offering this class is to help authors avoid costly mistakes like the ones my new friend made. I’m not interested in selling authors a package or forcing them into using a specific model. I simply want to offer them a look at all the options to help them decide how to proceed (or whether to proceed at all). To misquote a popular auto insurance ad: “A forty-five dollar, ninety-minute class could save you thousands.”

Interested? You can register here: http://www.indigoediting.com/workshops.html.


Client showcase: Ray Tercek Books

Continuing my showcase of books my clients and students put out this past year, I turn my attention now to the two-book series The Investigation of Pepe Chavez, et al., by Ray Tercek. I had the privilege of serving as the author’s project manager for production of both books. Below are descriptions of the books taken from www.raytercekbooks.com.

In the early 1980s, Portland Police Sergeant Ray Tercek helped launch one of the nation’s largest drug trafficking conspiracy investigations—something he didn’t initially set out to do. Ray Tercek’s first book in the Pepe series, How Presidential Task Force #NW-OR-001 Challenged Conventional Drug Investigation Methods, details the first phase of the investigation. It is a true-crime story of local cops who pursue a cocaine smuggling enterprise from its roots in Lima, Peru, to distribution around America’s national pro drag racing circuit. The book takes readers through several years of the Chavez cocaine smuggling enterprise, provides an introspective look at the mechanics of a federal historical conspiracy method of investigation, and exposes the behind-the-scenes interagency and internal wrangling.

When Police and Politics Collide, the second of the series, details the second phase of the investigation—a secret federal grand jury investigation of the higher echelons of the criminal organization—which ended in a scandalous internal fallout in the City of Portland. When a Portland Police Officer leaked investigative secrets, bureaucratic obstructions were immediately thrown into the path of the investigation. Why? Because the offending officer is married to the Chief of Police.

The two books combine for a thought-provoking examination of how political ambitions can clash with an investigative mission. Ray Tercek’s series provides readers with a case study of high-profile investigative methods and the behind-the-scenes politics that typically bind these cases.

The Investigation of Pepe Chavez, et al.: How Presidential Task Force #NW-OR-001 Challenged Conventional Drug Investigation Methods an When Police and Politics Collide can both be ordered through www.raytercekbooks.com

***

Vinnie Kinsella is a publishing professional living in the Pacific Northwest. He offers an array of publishing-related services, including publication consultation and project management for self-published authors, editing, and document design. More information about Vinnie’s services can be found at vinniekinsella.com.

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© All blog posts on this website are licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States License and can be shared unaltered for non-commercial purposes if attributed to Vinnie Kinsella with a link to this website.


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